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Ohio-born, Oakland, CA-based artist Maria BC (they/them) has slowly opened up their process over the years, moving from the one-room recording process of 2021 EP Devil’s Rain—careful not to disturb their roommates or neighbors—to the untreated apartment wanderings of Hyaline (2022, Father/Daughter) to the home of a family friend featuring an out-of-tune baby Steinway piano where they recorded their Sacred Bones debut, Spike Field.
Hyaline, was a 2022 ambient-folk highlight. It found the singer-songwriter crafting haunting tracks that played like they were beamed from the heart of some mystical, cobwebbed attic. Spike Field pushed their gauzy formula into increasingly manicured terrain, capturing the sound of a young artist who has quickly honed a singular voice. Strings, plucked guitar and buzzing swells accompany their classically-trained mezzo-soprano voice soaking their arrangements in a denser and more kaleidoscopic way than any of their previous work. Maria BC describes it as “filling out the sonic space,” as Spike Field builds on the intimacy of Hyaline through liberating instrumental embellishments.
In 2026 we will see the return of Maria BC with their third studio album, and sophomore Sacred Bones release, Marathon. Born from a sense of urgency, masochistic determination and endurance, Marathon reflects what it means to keep going whether you’re resisting or just surviving, you’re in it for the long haul. On this record, Maria BC delves into themes of resistance, environmental ruin, personal disruptions and destruction, all entwined in musical grit and drive.
w/
Gichard
Gichard, a new duo chronicling the absurdities of end-stage capitalism and mouldering social rituals from their vantage point in Glasgow, Scotland. Recorded primarily in the band’s home studio straight to tape, Chins For Lefty combines gorgeous, ramshackle melody, DIY kosmische punk, drum machine + synth and, in vocalist/lyricist Lisa Jones, an absurdist commentator on the human condition as it navigates the anxieties of the modern world. Instrumentalist Chas Lalli’s swirling music accompaniment stitches an evocative mix of musical styles, the ragged wind beneath the lyrics’ wings.
