Triptych IX: My Precious Bunny, Al Cologne & Kitty Fitz

Triptych IX, night 2 features My Precious Bunny, Al Cologne and Kitty Fitz. Get tickets above or from Seetickets. 14+, under 18s must be accompanied by an adult

Triptych consists of three nights, each featuring three of our favourite bands and each accompanied by a lathe-cut vinyl release, one for each night, limited to 15 copies each.

The second night features:

My Precious Bunny is the solo project of Lily Wolter- songwriter, multi-instrumentalist and one-half of the beloved Brighton duo, Penelope Isles. In celebration of her debut album, ‘A Moment In My Eyes’, released this May on Bella Union, Wolter steps out on her own (with 6 close friends by her side), crafting music that feels like deep nostalgia. Bursts of saxophone, clarinet, warm analog synths and restless guitars collide with raw, communal choral power. With some of Brighton’s best players in the mix, MPB is gaining momentum fast. https://www.instagram.com/my.precious.bunny/

Al Cologne: ‘If the world could be conquered with softly-textured bewitching indie-folk-pop, Al Cologne would be a shoo-in for dominion. Intimate majesty that quietly demands to be heard’ – End of the Road FestivalLondon-based artist Al Cologne’s sound is charged with an electric, queer tenderness, gently fizzing with emotion that has condensed over years of diaristic, kitchen-sink songwriting. Yearning, intimacy, and sexual discovery are bottled in songs shaped by mood rather than fixed arrangement. Their debut EP ‘Milk Teeth’ arriving March 2026 via Joy of Life International; produced by Benjamin Woods (The Golden Dregs), drifts in the orbit of Angel Olsen, Sharon Van Etten, Big Thief, and Faye Webster. These are songs about identity, control, and transformation; about trying to inhabit your own body, and then trying again the day following. https://linktr.ee/uncle.al.cologne

Kitty Fitz is the brainchild of bassist and producer/engineer Kitty Drummond, an alt-pop artist hailing from South East London. her music is a reflection of her life-long experiences with dissociative episodes, resulting in dreamlike, fully-formed compositions. Kitty’s work intertwined tales of being an antagonist, emotional vulnerability, and clever double entendres with cinematic synth-pop melodies and shoegazey guitar landscapes. https://linktr.ee/Kittyfitz