Audiovisual Assembly

We Are Not Content & Live Cinema Foundation presents: AUDIOVISUAL ASSEMBLY

A night of live audio-visual performances featuring:

I FEEL LIKE A BOMBED CATHEDRAL & DAISY DICKINSON

PARALLEL ACTION

DJ CHEEBA

DJ sets from Bitvert, If & Christopher Thomas Allen

Supported by Insight Lighting

80 Eastway, London E9 5JH

Tickets Via Resident Advisor

About Event:

AUDIOVISUAL ASSEMBLY explores the collision of sound and image through live performance. Curated by We Are Not Content and Live Cinema Foundation, each edition brings together experimental musicians, visual artists, and live cinema practitioners working at the edges of audiovisual expression.

This summer edition features: DJ Cheeba's pioneering fusion of turntablism and real-time video sampling; Parallel Action's (Jude Greenaway) cinematic trip-hop—slow-rolling breakbeats, jazz samples, and film noir atmospherics paired with original visuals; and the collaboration between I Feel Like a Bombed Cathedral (Amaury Cambuzat of Ulan Bator/faUSt) and filmmaker Daisy Dickinson, constructing dense layers of drone, guitar, and noise with immersive analog visuals—a raw, hypnotic exchange where sound dissolves into light.

DJ Cheeba

DJ Cheeba is one of the most progressive audiovisual artists working today, pioneering a unique fusion of turntablism and real-time video manipulation. Known for his eclectic mixtapes, movie re-scores, and commissioned work for everyone from Led Zeppelin to Aardman, Cheeba's cut-and-paste style pulls from the deepest video vaults and broadest beats. Live, he's a genre-smashing force—whether delivering cinema-style audiovisual projects or high-paced festival sets designed to make you dance, think, and smile. Expect turntablism, seamless visual sampling, and a relentless trip through styles and eras.

Quotes:

"Cheeba — the new Director General at Flip-Flop-Trip-Hop AV-TV" — Hexstatic

Parallel Action

Parallel Action is the trip-hop project of producer/filmmaker Jude Greenaway (aka ScanOne). Rooted in late-90s backrooms and pirate radio aesthetics, the music blends slow-rolling breakbeats, jazz samples, cinematic strings, and smoky atmospherics with a cast of vocalists, poets, scratch DJs, and instrumentalists. Drawing on old-school UK hip-hop, film soundtracks, and 20+ years of rave-era production, Greenaway crafts narratives that unfold like film noir—earthy, visual, and steeped in Thames Estuary poetry. The live AV performance pairs this sonic world with original visual content, creating a fully realised cinematic experience: rhythm, image, and storytelling fused into one sweaty, atmospheric whole.

Quotes:

“If Quentin Tarantino made Hip Hop” - Connor Cooper (Left Right & Centre)

I Feel Like a Bombed Cathedral (FR) + Daisy Dickinson (UK)

This new audiovisual collaboration merges the haunting sonic landscapes of Amaury Cambuzat—founder of cult French post-rock band Ulan Bator and guitarist for legendary German krautrock pioneers faUSt—with the striking, immersive visuals of filmmaker and visual artist Daisy Dickinson. Performing under the name I Feel Like a Bombed Cathedral, Cambuzat constructs dense, meditative layers of guitar, drone, and noise that evoke both ruin and transcendence. Blending drone, guitar, noise, and immersive analog visuals, the performance creates a raw and hypnotic audiovisual environment where sound dissolves into light and images drift through shifting dream realms. An intense live exchange of sound and vision, premiering in 2025.

About curators & co-producers:

We Are Not Content

We are not content are a collective of artists, musicians, DJs, VJs and filmmakers that curates experiences that unify sound and vision with audiences. They have curated and produced visual displays at a range of small and large-scale events. They champion artists who experiment with immersive experiences in galleries, music venues, festivals, and virtual spaces.

Live Cinema Foundation

LiveCinemaFoundation is a London-based not-for-profit organisation that supports the presentation, development, and publication of new forms of digital culture that exist at the intersection between moving image, music, and the performing arts.

This event is supported by:

Insight Lighting

Insight Lighting is a creative partner and a long-standing champion of London's audio-visual arts scene. Born from art school culture and the early rave scene, they've spent years supporting experimental artists, underground festivals, and community projects—bringing the same care and expertise to internationally renowned fine artists as they do to grassroots creative endeavours. Their collaborative approach combines deep technical knowledge across analogue and digital technologies with genuine artistic engagement. Working with a trusted network of lighting designers, projection artists, and engineers, Insight helps realise ambitious visual experiences that push boundaries while honouring each project's unique vision.

For AUDIOVISUAL ASSEMBLY, they're providing essential technical support and creative input, ensuring the immersive environments our artists need to thrive.