Lubber Kitchen Gig: Pheobe Riley Law and Duncan Arnold

We continue our series of Kitchen gigs with Pheobe Riley Law and Duncan Arnold

Following on from the success of Juho Toivonen and Kirk Barley we are really looking forward to this next instalment. These gigs are held in Lubber Kitchen which is a smaller more intimate space - with performances to match. As usual you can buy a ticket just for the music or you can also get a ticket with food. We highly recommended you sample the incredible Lubber Kitchen food if you can! All dietary requirements catered for!

Food 6-8pm

Music 8-10pm

Pheobe Riley Law is an installation artist working across sound, performance, sculpture, photography, and moving image. She creates dialogues between bodies, borders, and devices to reveal new forms of relation. She is particularly interested in non-human actors, inanimate objects, and how human activity is shaped by systems of boundary creation. Through playful inversions, she highlights the object-hood of humanity and the agency of the "inanimate". Her latest performance installation, Vegetal Empathy, is a speculative simulation of the garden, exploring our entanglement with more-than-human entities through data, micro-listening and acts of tending.Ongoing and previous projects include Vegetal Empathy (supported by the SoundGenerator award 2024-25); curator for Let Us Cook (Concertgebouw Brugge); installation for vast, slender boundaries (Rainy Days Festival, Luxembourg); residency with Simultan/Semi-Silent/Sonic Narratives (Timiçoara). The Sound of Food, Kupfer Project (London); cam.bi.um (flora) with Gaia Blandina, Hull Jazz Festival; dep.can.gre.sou with Abbas Zahedi at RCA, Moss Listening (Sonic Acts). Residency atFabrica; installations at Humber Street Gallery; Spikersuppa Gallery (Oslo); and CovePark (Scotland). She has shown work at The Baltic, Hatton Gallery, in Denmark, Italy,Germany, Sweden, and Japan. Pheobe has performed BBC Radio 3, sour bay at Matsudo Science Art Festival, Fort Process, Ftarri, and Café Oto.

Duncan Arnold / Dan Cun is a sound artist & designer who builds immersive soundscapes from field recordings, found sounds and experimental electronic textures. His interests lie in the intersection of human experience and the shifts in environment & technology. He often utilises interactive and/or generative systems, alongside data sonifcation as way of crafting & informing compositions. His recent practice focuses on the acoustic ecology of archeological sites along Hadrian’s Wall, where he translates environmental markers - such as precipitation and soil pH levels - into multi-layered electroacoustic compositions.